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Most Recent

1,000 Words
The Dark Wood
March 12, 2010
by Colin Campbell
Mar 5:
Like Living Stones (diptych)
by Deborah Risa Mrantz
Feb 26:
Tenacity
by Jason Bouwman
Arts & Academy
Telling the truth in difficult times
March 5, 2010
by Linnea Leonard Kickasola

Equivocation, set in 1606 London, shortly after the discovery of the Gunpowder Plot, suggests that history is a version of truth told by the winners.

Feb 26:
Hero Worship
by Jeremy Clive Huggins
Feb 19:
Where is Home?
by Greg Veltman
Business & Technology
Feel like a leader
March 12, 2010
by John Seel

Management is less a science about objects than an art about people. It involves fostering human flourishing, and it starts with empathy.

Mar 5:
Technology in times of disaster
by Rosie Perera
Feb 26:
The Moral Imperative of Investment Banking
by John Terrill
Culture & Politics
Keys to urban regeneration
March 12, 2010
by Albert Flootman

Urban regeneration requires a number of passionate, connected actors to be effective. Two that play key roles are local governments and private investors.

Mar 5:
Speaking of social justice
by Ryan Messmore
Feb 26:
An Erroneous Assumption about Political Parties
by Geoff Ryan
Delights & Comforts
I, like a tomato plant
March 12, 2010
by Brian Dijkema

In addition to being a source of delicious veg and a fine substitute for the gym, gardens are a source of wisdom. Patience, persistence, forgiveness, reflection, discipline—all can be learned with soil in one's hands.

Feb 26:
Tessa's Virtue
by David Greusel
Feb 19:
Brian's Black Bean Soup
by Brian Harskamp

Current print issue

March 2010: The story

Comment Magazine - The story

The story of God's great deeds—creation of all things; judgment of vicious human rebellion; redemption of all things—told in the Bible is the context within which we at Comment understand and approach everything. In this issue, we have asked our contributors to recount the episodes of that story, and we publish an editorial manifesto, broadcasting our most deeply-held convictions on the origin, coherence and purpose of existence.

The story is true, and has consequences. Consequences for how we live, consequences for how we understand the lives of our neighbours. See these illustrated in the essays—literary and photographic—that surround our manifesto and the central thread of creation-wonder, fall-heartbreak, redemption-hope.

Come and explore with us.

Comment Recommends

Week of March 7, 2010

Manifestoes

  • The 2010 and 2008 Comment Manifestos form the guide for who we are, and why we're doing this magazine. Read the 2010 version, "Wonder, heartbreak and hope" online or in PDF, and the 2008 version online or in PDF.

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